This project functions as a collection of observations of the everyday, through an autobiographical revealing.
With the use of photography, text, sound and drawings the project explores possibilities of telling the personal.

The artist attempts to unravel inner thoughts and diary accounts from the pages of a journal into an installation
environment. This can be understood as a process of translation, where the autobiographical and private is
transformed into a visual and physical experience for the viewer, in the public space of the exhibition.

Creating in that sense a physical-diary of visual collages and narrations that balance between the personal
and the lived, the project becomes a record of a fictionalised and at times ‘staged’ reality.

Referring to ways of telling a story used in films, theatre and novels, the artist works in the gap between
photography, imagination and writing. She creates a dialogue between the visible and the expressible (the narrated)
and re-enacts reality in a literal as well as metaphorical sense by using her diary as the screenplay.

Subjected with the mundane nature of relationships in the everyday, the artist turns towards the inner elements of those
experiences and produces a series of factual reports with a fictional overtone, for others to read and (mis)interpret.